Sounds

Here’s a clip of the MXR Distortion + effects pedal in all of its ugly yellow glory. I recorded this when I was 16 with a ‘93 Stratocaster and a Behringer GM110.

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How to use built-in distortion on your guitar amp in this free online instructional video.

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DIGITECH RP50

FENDER STRATO

AMP PYLE PRO

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Photo Genic Les Paul Guitar×2(pu Dimarzio PAF and Super Distortion)
EFFECTS ZOOM G2 amp Type fender CRUNCH SOUND AMP Mashal JTM30
非常に安いギターですが。かなりのお気に入りです。このYouTubeで、よく使っています。
このギターのピックアップ、サーキット内部、トグルスイッチ、要はギターの中身はすべて自分で改造しています。外見は何もいじっていません。ただエスカッションは換えています。ペグやブリッジ類は、オリジナルです。因みに弦はアー二ーの、SLINKY TOP HEAVY BOTTOM10~52(赤の袋)をいつもつけています。

Though it is a very cheap guitar. It is favorite considerably. It uses it well with this YouTube.
It picks up, it is the circuit internal, is toggle switch of this guitar, and all contents of the guitar are remodeled for myself in short. Any face is not fiddled with. However, [esukasshon] has been changed. The peg and bridges are original. By the way, the bowstring always applies SLINKY TOP HEAVY BOTTOM10~52 of [a-] 2(red bag).

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This is a variation of the other video I uploaded a minute ago. As I am asked quite a few times per week if the RPs can produce some heavy distortions or sweet long sustaining solo tones I thought I make a video for you guys and girls that features a few of those presets. Again I didnt change a single parameter on none of the examples what you hear is what you get. I also used the poweramp in of an amplifier called “The Valve” which is a italian made 2×12 combo. But since I use the poweramp in the amps preamp is not in the signal chain…the RP is the preamp for all the the examples.

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I am sorry it took so long .
This is supposed to be my demo of the Nady TD-1 tube distortion box.
There are troubles with the mic connection ..
It may look like I fix the noise with my hand but it’s more like my butt hitting the mic cable.
Starts clean.
I I start with my basic amp sound.
Dropped D jamming on my Tele Elite with active preamp , low imp. pickups and active TBX and MDX used here. A very loud guitar ( See my band vids ) Showing how controllable this sound is.
Using a Boss delay Digitech Delay, Boss PS5 Supershifter and a Boss compressor. Rocktron Austin Gold at the end of the chain but I’m not using it much.
I then turn it up .
Mesa Boogie subway Blues on 2 (7;30 on a clock face) with external closed cab mic’d with Sennheiser e609s
right into my camera . You can sort of see the settings and when I turn the Knobs.
For about the first minute the gain is in lower range . then I do a long time on the middle range which is where I live. By 4 minutes I am up in the high range.
I am also using the MDX on my guitar which adds 20 or so db hehe.
Thanks
Jim

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Me covering Nirvana’s Lithium on guitar. I up the bass solo but ah well.. It sounds a lot better on the original file but that file was about 200 mb so i had to downsize a lot, which is also the reason why the distortion sounds so sharp. please rate and comment. btw yes i put a extra verse in accidentally

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Line 6 POD X3 – Marshall Models

Most of the Marshall Models that can be found on the Line 6 POD X-3, just the Amps emulation, without any effect or stomp box simulation added. Played with an Epiphone Les Paul Standard. The models included in this videos are:

- Brit J-900 Clean (* based on a Marshall JCM900 clean settings)
- Brit J-900 Dist (* based on a Marshall JCM900 Distorted sound)
- Brit J-800 (* based on a Marshall JCM800)
- 1968 Plexi Variac´d (* based on a Super Lead as used by EVH)
- 1965 Plexi 45 (* based on a Marshall JTM-45)
- 1968 Plexi Lead (* based on a Marshall Super Lead)
- 1968 Plexi Jump Lead (*based on a Marshall Super Lead with Ch1 and 2 jumpered together

(*) These trademarks are use solely to identify the products of those manufacturers whose tones and sound were studied during Line 6´s sound model development.

Line 6 POD X3 – Modelos Marshall

Una gran cantidad de modelos Marshall que se pueden encontrar en el Line 6 POD X3, unicamente la emulación de amplificador, sin agregado de effectos. Grabado con una Epiphone Les Paul Standard. Los modelos en order de aparición son:

- Brit J-900 Clean (* basado en un Marshall JCM900)
- Brit J-900 Dist (* basado en un Marshall JCM900)
- Brit J-800 (* basado en un Marshall JCM800)
- 1968 Plexi Variac´d (* basdo en un Marshall Super Lead modificado por EVH)
- 1965 Plexi 45 (* basado en un Marshall JTM-45)
- 1968 Plexi Lead (* basado en un Marshall Super Lead)
- 1968 Plexi Jump Lead (*basado en un Marshall Super Lead con los canales 1 y 2 unidos)

(*) Las marcas antes mencionadas son utilizadas unicamente para identificar los modelos sobre los cuales Line 6 se baso durante el desarrollo de sus productos.

Hope you like it, more to come

Regards

Martin

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Fender Jim Root Telecaster
Boss MT-2 Metal Zone
Marshall MG10cd
Distortion
Clean

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Showing the versatility and tone of my new axe, Carvin CS6. I’m using the guitar’s volume control to go from clean to distortion. It has coil taps so you can get some strat-ish sound out of it too.

The setting on the Tubeking is Bass +3; Mid +5; High -2 (Tubeking has active eq); Gain 5; Level 6.5; and Noise gate off. Also, I replaced the stock tube with Tungsol 12ax7 but the stock tube sounded just fine.

The setting on the TBX is Bass 1; Mid 2; and High 0 and this too has an active eq. The gain nob is at 3 and level was around 6 on the clean channel without the over drive switch on.

I also used the zoom g2. 1u pedal but only to add slight delay.

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