Sounds

http://www.ehx.com
Visit EHX.com for user videos, our blog, community fourms, and lots more!

For more Metal Muff product info, see:
http://www.ehx.com/products/metal-muff

The ultimate metal distortion pedal. Three powerful EQ bands sculpt the mids and 6 controls shape the sound precisely for your groove from slithering mercury to lead belly blast furnace dross. Its unique Top Boost adds serious bite with its own control knob and footswitch so you can kick it on for searing leads.

* High input impedance buffered bypass

* Output volume and master drive controls

* 3-Band EQ: bass, mid and treble

* Footswitchable Top Boost with separate control knob

* Tough and compact die-cast chassis

* 9-volt battery included

* Optional 96DC-200BI power supply available

Duration : 0:3:29

Read the rest of this entry »

Alberta is quite unique; she makes your guitar sing.
She provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps. Alberta delivers a creamy, yet crunchy sound with a smooth mid-range boost, reminiscent of the old Ibanez TS-808.

Recorded with a Neumann U87 into a Great River Electronics MP-2NV and Coles 4038, into a Chandler TG2, and finally a Lynx Aurora 16 AD Converter

Duration : 0:3:15

Read the rest of this entry »

Here’s a clip of the MXR Distortion + effects pedal in all of its ugly yellow glory. I recorded this when I was 16 with a ‘93 Stratocaster and a Behringer GM110.

Duration : 0:1:44

Read the rest of this entry »

The Mad Professor Mighty Red Distortion is a high-gain distortion pedal, which was modelled after the 80’s style compressed gain sounds. It is extremely easy (and lot of fun) to play, because its texture is adjusted to give clarity and definition also at heavy distortion.

MRD has that 80’s sound many have longed for but never got before at such low noise levels and versatility. The Presence control was designed to control the upper treble, but not to affect the upper midrange, so that you can get the exact treble you desire. You can master anything from fat warm singing distortion to screaming cutting leads with the MRD’s Presence control.

Available in Australia and New Zealand from http://gearfactory.guitarnoize.com

Duration : 0:3:16

Read the rest of this entry »

DIGITECH RP50

FENDER STRATO

AMP PYLE PRO

Duration : 0:1:36

Read the rest of this entry »

http://www.premierguitar.com PG’s Rebecca Dirks is On Location in Anaheim, CA, for the 2010 NAMM Show where she visits the Source Audio booth. In this segment, we get to see three of their newest effects pedals — the Multiwave Bass Distortion, Multiwave Distortiong (guitar) and the Classic Distortion.

The Soundblox Multiwave Bass Distortion features the same multi-band process that made the original Multiwave guitar pedal so popular, but this time, the Source Audio engineers adapted the process to compliment the unique frequency range of the bass guitar. Multi-band processing divides a signal into multiple bands then distorts them individually, giving musicians unprecedented levels of sound clarity and note articulation. Bassists can effectively combine complex chords and intervals with distorted tones—the Multiwave eliminates the mush and allows each note to ring clear and true.

Users have access to 23 distinct and modern sounding distortions that go far beyond traditional sounds. They range from normal, for a somewhat traditional distortion curve, to extreme foldback and octave settings for more aggressive and synth-like tones. Each distortion type is further customizable via the drive control, and separate clean and distorted level knobs. This advanced sound control alleviates the tendency for low-end reduction associated with most bass distortion units. The Multiwave Bass is also compatible with the Hot Hand® motion controller, adding even more expressive possibilities.

The Multiwave Distortion features 21 distinctive and modern effects not found on typical distortion pedals. Based on new proprietary algorithms, these range from basic overdrive sounds to aggressive synth-like, octave heavy and extreme foldback settings that go far beyond emulations of typical classic distortions.

The Multiwave Distortions unique Multi-Band mode divides the input signal into several frequency bands, which are distorted separately before being re-combined. Guitarists can play complex distorted chords and each note can be heard with absolute clarity. Several notes can feed back or drone simultaneously while a separate melody is played on top without the typical loss of volume associated with most of other types of distortion. The Multiwave Distortion is also compatible with the Hot Hand® motion sensor. When connected, Hot Hand controls the amount of gain.

The Soundblox Classic Distortion packs 4 tube amp and 8 fuzz box overdrive tones plus a Clean Boost/Tone mode into one compact and easy to use pedal. Unlike other products, which attempt to digitally clone, model or emulate vintage gear, the organic tones of the Soundblox Pro Classic Distortion are the result of a five-year listening study and iterative algorithm design process involving over 40 classic pedals and extensive artist evaluation. Plus, the Classic Distortion is Hot Hand® ready for even more expressive capabilities.

For more NAMM 2010 coverage or to view our completely FREE digital edition of Premier Guitar magazine, be sure to visit http://www.premierguitar.com

Duration : 0:5:7

Read the rest of this entry »

GEAR
Burny /　EX-240P (pu Tom Holmes H453LTD×2) (Alnico-IV magnet , 2conductor , 5300turns of wire 1 bobbin , unpotted)
Mashal / JTM30W
ZOOM / G2
GAUGE/ Elixir/Light-Heavy 10~52

Duration : 0:6:1

Read the rest of this entry »

The 22 Caliber is a versatile 22-watt guitar head that fits in the palm of your hand. Just plug it into any 8- or 16-ohm speaker, and you’ll get a big, sweet musical sound. see: http://www.ehx.com/products/22-caliber

Duration : 0:2:47

Read the rest of this entry »

www.ToneFactor.com – A side by side comparison of the MI Audio Crunch Box and the Mad Professor Mighty Red Distortion.

Gear used: Gibson Les Paul Custom, Fender Deluze Reverb RI.

Duration : 0:6:35

Read the rest of this entry »

http://www.roland.com/products/en/GT-10B/
The GT-10B, optimized for the low-frequency domain. The massive power of BOSSs latest DSP engine and COSM sound-modeling know-how are integrated to provide the most creative and essential features for bass. With Parallel Chain, Phrase Loop, and EZ Tone onboard, the GT-10B takes its place as the most advanced-yet-friendly bass station on the market.

Duration : 0:5:3

Read the rest of this entry »