Sounds

This is a variation of the other video I uploaded a minute ago. As I am asked quite a few times per week if the RPs can produce some heavy distortions or sweet long sustaining solo tones I thought I make a video for you guys and girls that features a few of those presets. Again I didnt change a single parameter on none of the examples what you hear is what you get. I also used the poweramp in of an amplifier called “The Valve” which is a italian made 2×12 combo. But since I use the poweramp in the amps preamp is not in the signal chain…the RP is the preamp for all the the examples.

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GEAR
Burny /　EX-240P (pu Tom Holmes H453LTD×2) (Alnico-IV magnet , 2conductor , 5300turns of wire 1 bobbin , unpotted)
Mashal / JTM30W
ZOOM / G2
GAUGE/ Elixir/Light-Heavy 10~52

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I am sorry it took so long .
This is supposed to be my demo of the Nady TD-1 tube distortion box.
There are troubles with the mic connection ..
It may look like I fix the noise with my hand but it’s more like my butt hitting the mic cable.
Starts clean.
I I start with my basic amp sound.
Dropped D jamming on my Tele Elite with active preamp , low imp. pickups and active TBX and MDX used here. A very loud guitar ( See my band vids ) Showing how controllable this sound is.
Using a Boss delay Digitech Delay, Boss PS5 Supershifter and a Boss compressor. Rocktron Austin Gold at the end of the chain but I’m not using it much.
I then turn it up .
Mesa Boogie subway Blues on 2 (7;30 on a clock face) with external closed cab mic’d with Sennheiser e609s
right into my camera . You can sort of see the settings and when I turn the Knobs.
For about the first minute the gain is in lower range . then I do a long time on the middle range which is where I live. By 4 minutes I am up in the high range.
I am also using the MDX on my guitar which adds 20 or so db hehe.
Thanks
Jim

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http://www.guitarfetish.com The Brownie over drive is a rich, versatile crunchbox with plenty of hairy options. For $50, these guys are apt to corner the market on low dough TONE! This review features humbuckers with a Custom Shop Gibson SG Les Paul. The music I used for the intro, which I get a ton of requests and questions about, is by a band called BODECO. You can get their music at http://www.cdbaby.com . I’m not in the band…they’re just friends of mine….which makes em’ friends of YOURS! ROCK OUT!

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A good way to get a great distortion tone with the boss ds 1 pedal. Enjoy

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great analog pedal from ProCo Sound – 3 setting for clipping – like sabbath, neil young tones – good for leads and rhythm chunk

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Line 6 POD X3 – Marshall Models

Most of the Marshall Models that can be found on the Line 6 POD X-3, just the Amps emulation, without any effect or stomp box simulation added. Played with an Epiphone Les Paul Standard. The models included in this videos are:

- Brit J-900 Clean (* based on a Marshall JCM900 clean settings)
- Brit J-900 Dist (* based on a Marshall JCM900 Distorted sound)
- Brit J-800 (* based on a Marshall JCM800)
- 1968 Plexi Variac´d (* based on a Super Lead as used by EVH)
- 1965 Plexi 45 (* based on a Marshall JTM-45)
- 1968 Plexi Lead (* based on a Marshall Super Lead)
- 1968 Plexi Jump Lead (*based on a Marshall Super Lead with Ch1 and 2 jumpered together

(*) These trademarks are use solely to identify the products of those manufacturers whose tones and sound were studied during Line 6´s sound model development.

Line 6 POD X3 – Modelos Marshall

Una gran cantidad de modelos Marshall que se pueden encontrar en el Line 6 POD X3, unicamente la emulación de amplificador, sin agregado de effectos. Grabado con una Epiphone Les Paul Standard. Los modelos en order de aparición son:

- Brit J-900 Clean (* basado en un Marshall JCM900)
- Brit J-900 Dist (* basado en un Marshall JCM900)
- Brit J-800 (* basado en un Marshall JCM800)
- 1968 Plexi Variac´d (* basdo en un Marshall Super Lead modificado por EVH)
- 1965 Plexi 45 (* basado en un Marshall JTM-45)
- 1968 Plexi Lead (* basado en un Marshall Super Lead)
- 1968 Plexi Jump Lead (*basado en un Marshall Super Lead con los canales 1 y 2 unidos)

(*) Las marcas antes mencionadas son utilizadas unicamente para identificar los modelos sobre los cuales Line 6 se baso durante el desarrollo de sus productos.

Hope you like it, more to come

Regards

Martin

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http://www.roland.com/products/en/GT-10B/
The GT-10B, optimized for the low-frequency domain. The massive power of BOSSs latest DSP engine and COSM sound-modeling know-how are integrated to provide the most creative and essential features for bass. With Parallel Chain, Phrase Loop, and EZ Tone onboard, the GT-10B takes its place as the most advanced-yet-friendly bass station on the market.

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The GE-7 has seven bands ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost /cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

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Fender Jim Root Telecaster
Boss MT-2 Metal Zone
Marshall MG10cd
Distortion
Clean

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