Digitech Bass Overdrive DEMO Sound test. X-Series Bass Distortion.
Sound Reveiw/Test/Demo of this bass effect.
Robert Maning UK bass Player.
Fender Jazz USA STD
Duration : 0:1:19
This is a way that I discovered to get distortion like sound with actually distorting it. It probably won’t work for the kind of distortion used on a guitar, but for the bass it is a good substitute. It offers an interesting trade off of control: it lets the player have complete control of when (by loudness) of when they want distortion, but it only allows for one effect.
Duration : 0:2:18
2nd Video of Sony CDX – GT610Ui Head Unit. Stock Speakers and no subs. Subs will be next. The bass sounds distorted, but it isnt, thats caused by the crap mic on my camera.
Duration : 0:1:43
A quick tutorial on how to Muffle audio using Sony Vegas. This sound effect is seen in some counterstrike source videos, to distort the sound for some reason. But yeah, it sounds cool and this is how its done (:
Duration : 0:3:6
find out more at: http://www.sourceaudio.net
Will Cady goes through the features of the brand new Multiwave Bass Distortion Pro from Source Audio.
Duration : 0:10:26
http://www.ehx.com
Visit EHX.com for user videos, our blog, community fourms, and lots more!
For more Metal Muff product info, see:
http://www.ehx.com/products/metal-muff
The ultimate metal distortion pedal. Three powerful EQ bands sculpt the mids and 6 controls shape the sound precisely for your groove from slithering mercury to lead belly blast furnace dross. Its unique Top Boost adds serious bite with its own control knob and footswitch so you can kick it on for searing leads.
* High input impedance buffered bypass
* Output volume and master drive controls
* 3-Band EQ: bass, mid and treble
* Footswitchable Top Boost with separate control knob
* Tough and compact die-cast chassis
* 9-volt battery included
* Optional 96DC-200BI power supply available
Duration : 0:3:29
Get some (soft) paper and place it over your mic. It will soften the sound going into your mic so it won’t distort as much.
Duration : 0:2:4
Always nice to play around with open strings, here the open D string and using notes from the D mixolydian scale on the G string.
You only get this sound and feel with a pick, It would just sound wrong with fingerstyle, therefore all you young bassplayers starting out: be able to play fingerstyle, slap and pickstyle, if you aim at being serious bassplayers that are able to cover many styles.
Go to http://playbassnow.com for more FREE grooves, fills & basslines.
Duration : 0:1:59
http://www.premierguitar.com PG’s Rebecca Dirks is On Location in Anaheim, CA, for the 2010 NAMM Show where she visits the Source Audio booth. In this segment, we get to see three of their newest effects pedals — the Multiwave Bass Distortion, Multiwave Distortiong (guitar) and the Classic Distortion.
The Soundblox Multiwave Bass Distortion features the same multi-band process that made the original Multiwave guitar pedal so popular, but this time, the Source Audio engineers adapted the process to compliment the unique frequency range of the bass guitar. Multi-band processing divides a signal into multiple bands then distorts them individually, giving musicians unprecedented levels of sound clarity and note articulation. Bassists can effectively combine complex chords and intervals with distorted tones—the Multiwave eliminates the mush and allows each note to ring clear and true.
Users have access to 23 distinct and modern sounding distortions that go far beyond traditional sounds. They range from normal, for a somewhat traditional distortion curve, to extreme foldback and octave settings for more aggressive and synth-like tones. Each distortion type is further customizable via the drive control, and separate clean and distorted level knobs. This advanced sound control alleviates the tendency for low-end reduction associated with most bass distortion units. The Multiwave Bass is also compatible with the Hot Hand® motion controller, adding even more expressive possibilities.
The Multiwave Distortion features 21 distinctive and modern effects not found on typical distortion pedals. Based on new proprietary algorithms, these range from basic overdrive sounds to aggressive synth-like, octave heavy and extreme foldback settings that go far beyond emulations of typical classic distortions.
The Multiwave Distortions unique Multi-Band mode divides the input signal into several frequency bands, which are distorted separately before being re-combined. Guitarists can play complex distorted chords and each note can be heard with absolute clarity. Several notes can feed back or drone simultaneously while a separate melody is played on top without the typical loss of volume associated with most of other types of distortion. The Multiwave Distortion is also compatible with the Hot Hand® motion sensor. When connected, Hot Hand controls the amount of gain.
The Soundblox Classic Distortion packs 4 tube amp and 8 fuzz box overdrive tones plus a Clean Boost/Tone mode into one compact and easy to use pedal. Unlike other products, which attempt to digitally clone, model or emulate vintage gear, the organic tones of the Soundblox Pro Classic Distortion are the result of a five-year listening study and iterative algorithm design process involving over 40 classic pedals and extensive artist evaluation. Plus, the Classic Distortion is Hot Hand® ready for even more expressive capabilities.
For more NAMM 2010 coverage or to view our completely FREE digital edition of Premier Guitar magazine, be sure to visit http://www.premierguitar.com
Duration : 0:5:7
Vince Genella demonstrating the Holy Fire Overdrive/Distortion pedal from Creation Audio Labs.
Check out more of Vince at:
www.VinceGenella.net
Duration : 0:6:33